SCIFIHISTORY.NET
  • MAINPAGE
  • About
  • Reviews
  • December
  • November
  • October
  • September
  • August
  • July
  • June
  • May
  • April
  • March
  • February
  • January

Stardate 12.07.2022.C: Monsters Of A Sort - 1948's 'A Woman's Vengeance' Holds Its Best Surprise For The Finale

12/7/2022

0 Comments

 
Picture
From time to time, I’ve found that – as a writer on the subject of film – it helps to refresh one’s perspective by dabbling in motion pictures outside of the usual; and for this reason I’ll occasionally take in a great movie classic – often from the genre of film noir – to mull over.  In order to keep it somewhat aligned with what I do here on SciFiHistory.Net, I’ll craft reviews under the heading of ‘Monsters Of A Sort’ and have a bit of fun with them.  Honestly, there are so very many good releases from the past, and I do like shining a bit of light on them whenever the spirit moves me.
 
Today, I’ve had the good fortune to watch a little something something titled A Woman’s Vengeance (1948).
 
IMDB.com indicates this one was directed by Zeltan Korda, a talent with a tie to genre properties in that he’s often cited as the ‘uncredited’ director of 1940’s The Thief Of Baghdad as well as the credited director of 1942’s The Jungle Book.  (FYI: he also directed Humphrey Bogart in 1943’s Sahara, one of my personal favorite World War II flicks, but that’s a whole other issue.)  Interestingly enough, Vengeance has another fascinating tie-in with Science Fiction in that its screenwriter is none other than Aldous Huxley, the genius behind the novel Brave New World originally published in 1932 and eventually adapted on film.
 
But who are its players, you ask?
 
The bulk of the action takes place between philandering Henry Maurier (played by Charles Boyer) and Janet Spence (Jessica Tandy), a family friend who has spent years pining for Henry’s carnal affections but has been ignored.  But when the elder gentleman instead takes the hand of the very young Doris Mead (Ann Blyth), the lady Spence decides her secret attempt to garner the man’s attention can instead be used to spell his private doom.  But with all of this intrigue, who would’ve expected the private workings of Dr. James Libbard (Cedric Hardwicke) might steal the show?
 
Why, it’s enough to keep one up at night!
 
(NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and/or characters.  If you’re the type of reader who prefers a review entirely spoiler-free, then I’d encourage you to skip down to the last few paragraphs for the final assessment.  If, however, you’re accepting of a few modest hints at ‘things to come,’ then read on …)
 
From the film’s IMDB.com page citation:
“A cheating husband is charged in the poisoning death of his invalid wife, in spite of other women and suicide also being suspected.”
 
Described as a classic film-noir, I didn’t think that the plot of A Woman’s Vengeance would have the feature truly standing side-by-side with other significant entries of that genre, and I stand by that.  Stronger stories of this type tend to involve action and (especially) danger a bit broader in scope than what Huxley’s script squeezes into its 96 minutes, and I wonder if viewers drawn to the picture with such expectations might even turn away at the film’s midpoint.  In fact, there’s really no intensity to the flick at all until the second half, at which point Maurier’s bad habits catch up with him in the worst way imaginable.  Charged with a murder he insists he never committed (we’re not quite sure yet, though the suspect list is considerably slim), there’s finally some greater linkage to noir beyond the obvious stylings.
​
Picture
But the first half does boast some great acting by both Boyer and Tandy.  In fact, there’s an incredible vivid scene involving a dark room and an unfurling thunderstorm that is the kind of thing that makes film the form of art many of us love.  It isn’t particular big – nor is it all that lavish – and yet it’s the kind of sequence that perfectly illustrates the storm raging just out of reach of these two central individuals.  This kind of stuff elevates a yarn because it gives it visual subtext, and I hope director Korda with his crew of craftsmen (and craftswomen) were pleased with the end result.
 
The greatest drawback to the narrative as presented is that – in all honesty – there really isn’t all that much mystery here.  As I said, the suspect list is very small, and the tale unfolds in a way that points rather heavily in a single direction.  (No, no, no: I always try to avoid spoiling the big details, even though this one is well beyond spoiler rules.)  Those watching closely will undoubtedly have a solid theory regarding precisely ‘whodunnit,’ though I’ll admit the script gave the culprit a bit of wiggle room up until a point wherein there was a well-timed confession.  At that point, why go on?
 
Well, that’s because Sir Cedric Hardwicke damn near steals the entire picture in the finale.  As the town doctor, he’s a kindly gentleman who both has and keeps his suspicious to himself, but he isn’t above pointing you and me – the audience – in the right direction with that knowing glance.  Motivating by his professional oath to ‘first do no wrong,’ Dr. Libbard bends the rule just enough to finally get to the heart of the matter.  Though today’s science would probably not allow such a confession to hold up in a court of law, it works rather brilliantly on film, making the closing exchange a high point to the whole sordid affair.
 
A Woman’s Vengeance (1948) was produced by Universal International Pictures (UI).  DVD distribution (for this particular release) is being coordinated by the good folks at Kino Lorber.  (For clarity’s sake, this was part of their Film Noir: The Dark Side Of Cinema XI Collection, in case you’re looking to pick up a copy.)  As for the technical specifications?  While I’m no trained video expert, I thought that the sights and sounds to this 4K digitally restored version (from the 35mm Nitrate Original Negative) were very, very good: there are some very good sequences photographed in heavy darkness that stand out incredibly well in here.  Lastly, if you’re looking for special features, there’s an audio commentary from film scholar Jason A. Ney and the original theatrical trailer to enjoy.
 
Highly Recommended.
 
Oh my gosh, I do so very much prefer watching older films, and A Woman’s Vengeance – a flick I’d honestly heard very little about – was a delight.  Aldous Huxley’s script (thankfully!) wasn’t heavy on melodrama – as even noirs of this era can be – and there was a good balance between conventional mystery and traditional suspense that made this one work very well.  Still, I would’ve approved a bit more screen time somehow given to the sleuthing physician who truly cracks this case when others should’ve, but that’s small potatoes with a flick that embraced the unconventional at a time when Hollywood was producing a catalogue of fairly predictable fare.
 
In the interests of fairness, I’m pleased to disclose that the fine folks at Kino Lorber provided me with a complimentary Blu-ray of A Woman’s Vengeance (as part of their Film Noir: The Dark Side Of Cinema XI Collection) by request for the expressed purposes of completing this review; and their contribution to me in no way, shape, or form influenced my opinion of it.

​-- EZ
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    Reviews
    ​Archive
    ​

    Reviews

    birthdays
    Archive
    ​

    January
    February
    March
    April
    May
    June
    July
    August
    September
    October
    November
    December

    mainpage
    ​ posts

    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    May 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    June 2018
    May 2018
    March 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014

    RSS Feed

Proudly powered by Weebly