As always, thanks for reading ... and live long and prosper!
Happy SciFi Tuesday, peeps! It's beginning to look a lot like Christmas, and -- for a whole host of reasons -- that means we'll be gifted from Hollywood with a slew of tentpole holiday releases, the likes of which pit some pretty big names against one another. Well, how nice it is to find a few big names joining forces in our beloved realm with a SciFi/Drama/Romance the likes of Passengers coming down the pike. The trailer dropped today, and I've posted it above. Check it out, and feel free to sound off.
As always, thanks for reading ... and live long and prosper! Stardate 9.12.2016.A: Look Who's Stalking - Godzilla (1984) Returns, And It's Worth The Wait9/12/2016
As I’ve mentioned before, I grew up at a time when society at large wasn’t afforded so many entertainment choices. The late 1960’s and early 1970’s were their own pop culture Dark Ages (if you ask me); and growing up on a farm then an equally small city meant that, at best, you were only going to have anywhere between eight-to-ten television channels … so long as you were provided good weather! Fortunately, one of those channels only afforded programming that was (apparently) fantastically cheap, so I “cut my teeth” on a plethora of black’n’white films, creature features, and monster movies, the favorite of which was any of the original Godzilla flicks. (NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and/or characters. If you’re the type of reader who prefers a review entirely spoiler-free, then I’d encourage you to skip down to the last three paragraphs for my final assessment. If, however, you’re accepting of a few modest hints at ‘things to come,’ then read on …) From the product packaging: “With a higher budget and more advanced special effects than any previous film in the serious, THE RETURN OF GODZILLA (aka GODZILLA 1984) returns Japan’s greatest monster to his intended role as an epic force of destruction and the film’s spectacular success re-launched the Godzilla franchise after nearly a decade in suspended animation …” There’s more, but I’ll leave it at that. Basically what matters historically is that this particular Godzilla film (in this particular form) has never been seen in the states; the version that did get promotion was heavily edited in order to allegedly amp up the humor (a concept I’ve rarely understood with the Hollywoodization of monster movies). The truth is that this version promotes the seminal monster largely as a monster – he isn’t here for any elevated purpose to save us from ourselves or another gigantic creature – and perhaps this is why those involved with its American release felt it needed some narrative ‘tweaking’ three decades back. (I’m not trying to excuse any tampering done to the story; instead I’m trying to suggest that perhaps – for its place in cinema history of the 1980’s – maybe they wanted something a bit more uplifting.) As for the story, Godzilla has returned, and there’s a team of scientists intent upon stopping the behemoth’s destruction of Japan. The government does eventually unleash the Super-X – a levitating aircraft loaded with missiles and lasers – and a good portion of the film details the obvious back-and-forth between monster and man. In the end, however, it’s science that used to lure the creature to its inevitable demise, a scene that’ll put a lump in the throat of any monster maniac like myself. What’s an ogre to do to achieve a measure of respect from mankind? Much to my chagrin, what didn’t work here were the characters. Granted, they’re always secondary to the creature, but GODZILLA 1984 unloaded a veritable salvo of generic players, each one less interesting than the last. Methinks that’s part of why more mainstream audiences never quite embraced the Godzilla franchise the way fans have: there’s simply nothing and no one they can relate to, and – were it possible to change this in post-production – that might go a long way toward elevating the status of these earlier motion pictures. All of that said, GODZILLA 1984 will probably tickle the fancy of any monster movie aficionado. Yes – for those of you wondering – it’s once again little more than “a guy in a suit,” but for all of those blemishes that’s part and parcel of what made that whole franchise so incessantly appealing. For those of us who relish that sort of thing, there’s simply no replacement for the practical in-camera effects of Japan’s destruction. It’s visceral and exciting, and maybe even on one level (subconsciously) we’re relieved that none of it is real. GODZILLA 1984 was produced by Toho Company and Toho Eizo Company. DVD distribution for this release is being handled by Kraken Releasing. As for the technical specifications? Booyah! This cut looks and sounds stellar from start to finish, though there was one sequence which seemed to drop audio a bit (I couldn’t say why, though I replayed it twice to see if it was me but it wasn’t). Lastly, if you’re looking for special features, there’s the obligatory behind-the-scenes stuff for those interested. Me? I wanted the feature and nothing else.
HIGHLY RECOMMENDED. Even as much a die-hard fan of the Godzilla franchise I may be, I’m still not afraid to admit there’s something benignly fascinating about knowing none of it is real. Practical effects like these don’t overload the senses the way CGI-laden epics today do, so there’s something to be said for those of us who appreciate subtlety over visual gluttony. I can’t much stomach any of the TRANSFORMERS flicks, but I’ll happily sit through GODZILLA 1984 a few times a year because it symbolizes a welcome return to more affordable death-and-destruction that doesn’t need to be delivered at hyperactive pace. This story might prove too slow for today’s ADHD audiences, but it’s grand for the ten-year-old kid still trapped inside of me. In the interests of fairness, I’m pleased to disclose that the fine folks at Kraken Releasing provided me with a Blu-ray of GODZILLA 1984 by request for the expressed purposes of completing this review; and their contribution to me in no way, shape, or form influenced my opinion of it. Like so many men of a certain age, I'm a pure sucker for monster movies, and is there any greater monster to worship than Godzilla? Sure, I enjoyed the Americanized reboot from 2014 probably more than any genre purist should have, but it is what it is. Still, I'll welcome the return of the original monster, though I've been led to believe that even this creation is being accomplished via CGI ... CGI that's been made to make audiences believe it's still a man in a suit! Now, that's some genius work right there. As happens all too often with these rare foreign imports, Godzilla Resurgence (or "Shin Godzilla") will only be given a limited release throughout the United States compliments of Funimation (link here for some details) ... so all of you smilers will have to be on the lookout for opportunites to catch this one theatrically in your area come this October.
As always, thanks for reading ... and live long and prosper! Well, well, well ... guess who still looks great at 50? Star Trek does!
I saw this announcement the other day over at Blu-ray.com, and -- while I like most dedicated Star Trek enthusiasts would certainly be hungry for anything new honoring one of the most respected SciFi franchises of all time -- I'm having a hard time believing that Gene Roddenberry (of all people) had held anything back of relative substance. Let me explain ... For those of you who may not have followed the behind-the-scenes history of Trek, it's fairly well known that Gene pretty much "bailed" on Star Trek in its third season on NBC. There are various accounts of why that was, but -- for the most part -- it's been accepted that the writing was on the wall: his show was moved into the Friday night death slot, so it was only natural that this Trek would be coming to an end and soon. It's at this point that many allege Roddenberry decided that -- since the fan base was still ravenous for all things Trek -- he's branch out more into merchandising the Trek brand and build a different future for the property. Always the visionary, Gene wanted to keep his vision alive, and -- if that meant selling out to what I'd term crass commercialism -- then so be it. So as that was his reputation for some time, does it stand to logic that there would still be footage yet unseen, stills and images that could've previously been put onto discs and sold for exorbitant prices by Paramount? As rapid a fan as I am, I'm gonna wait for the reviews on this one. I'll let the experts -- those who get freebie advance copies anyway -- give me the straight skinny on whether or not this collection is worth the investment. Besides, all of us know how Paramount is, and that means there's likely to be dozens and dozens of re-issues of this material down the road; and re-issues have a way of bringing prices down. Still, I'm exciting ... just more than a bit cynical, too. As always, thanks for reading ... and live long and prosper! Like so many Science Fiction fans, I've written often about my love of all things Star Trek. Truth be told, I never quite took to the whole 'Trekkie' or 'Trekker' moniker, instead choosing to simply call myself a die-hard Star Trek Enthusiast. (I just think it's a more fitting tagline.)
In any event, for those of you who were born on an island, 2016 happens to be the 50th anniversary of what continues to be one of the most popular and (obviously) enduring franchises in all of SciFidom; so -- in that respect -- I'm officially calling September "Star Trek Month" here at SciFiHistory.Net. After all, over the course of the next thirty days you'll see daily citations about Star Trek's television premiere and other things. Additionally, as time permits I promise I'll write up a few pieces that'll screen on the main page (so watch for them). Naturally, if any of the readers out there in the Internet would like to contribute something to feature in written form, don't hesitate to drop me a line at [email protected], and I'll be happy to take a look at it. As always, thanks for reading ... and live long and prosper! Welcome to September, faithful peeps, and hasn't it been -- like -- forever since theatres had a superhero movie? Why, it seems just yesterday that they were all the rage, and ... oh, who am I kidding? Here's a little something called Max Steel (2016), which kinda/sorta looks like an "Iron Man Meets Spider-Man" creation if there ever were such a thing. Check out the preview above via the link I've posted to YouTube.com.
As always, thanks for reading ... and live long and prosper! |
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