SCIFIHISTORY.NET
  • MAINPAGE
  • About
  • Reviews

Stardate 11.16.2023.A: Mommy Issues - 1974's 'Lorna ... The Exorcist' Unnecessarily Takes The Long Road To Arriving At Such A Simple Destination

11/16/2023

0 Comments

 
Picture
(NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and/or characters.  If you’re the type of reader who prefers a review entirely spoiler-free, then I’d encourage you to skip down to the last few paragraphs for the final assessment.  If, however, you’re accepting of a few modest hints at ‘things to come,’ then read on …)
 
From the (corrected) film’s IMDB.com page citation:
“A man is tormented by an ex-lover, Lorna, who possesses a strange power over women, including the man’s daughter.”
 
Here’s the thing, writer/director Jesús Franco: you don’t make it easy for fans to defend you.
 
I know, I know, I know: anyone who has followed film – especially foreign releases, and, yes, I do say this as an American – has likely heard of Franco and his – snicker snicker – body of work.  Think what you will, but the auteur is probably best recognized as being one of Spain’s premier makers of reasonably low-budgeted exploitation fare, the kind of thing that used to be relegated to backroom video store shelves and/or obscure pay cable channels.  Yes, there’s a fair amount of T’n’A – if you know what I mean – and, being no prude, I certainly have no issues with that.  However … Franco can really try an audience’s patience regularly.
 
If one considers Lorna … The Exorcist (1974) as a somewhat typical product of the man’s talents and imagination (he is credited as both director and co-screenwriter), then the troubles begin right out of the gate: the flick opens with a – ahem – nine-minute sequence of lustful exploration between two comely lasses, only to end with a curious cut to all new characters and circumstances.  In fairness, I believe the audience was led to conclude that this somewhat exhaustive opening sequence was the product of a fanciful dream experienced by an inmate to a kinda/sorta insane asylum … or is it?  The uncertainty here is owed to the fact that this set-up – with the possible linkage to this ancillary character – has a very tenuous connection to Lorna’s premise itself, which frankly is far more interesting.
​
Picture
Patrick Mariel (played by Guy Delorme) is leading the perfect life.  Successful in life and in love, he’s married to the perfectly if not ravishingly beautiful Marianne (Jacqueline Laurent), and – together – they’ve raised their daughter Linda (Lina Romay) to the cusp of womanhood: on the verge of turning eighteen, the young woman has the world at her fingertips … but her fingertips – it would seem – have grown increasingly obsessed with (snicker snicker) exploring the peaks and valleys of her wonderfully shapely body.
 
As Fate would have it, Linda’s erotic obsession has a rather dark explanation: years ago, dear daddy made a pact with the Devil – or was it a witch? – when he was seduced by the lovely Lorna Green (Pamela Stanford), a businesswoman of her own making who commands a heavy price in exchange for providing her lover a favor.  The terms were simple: after making love to Lorna, Patrick must rush home and make love to his own wife, thus transferring the magical seed into a fertile womb and impregnating her.  This contract will produce untold wealth for the family, but – on Linda’s eighteenth birthday – she must assume the mantle of witchy prowess by taking Lorna’s place in the material world.
 
So Franco’s thematic explanation for Linda’s unnatural sexual hunger is tied to a kinda/sorta genetic awakening.  Of course, non-magically-bred young women also experience their own cravings as a consequence of hormonal development, but this is territory already staked out for its exploitative appeal so just roll with it.  (Roll with it?  Snicker snicker again!)  We’re treated to some inordinately long sequences of soft-core pornography in a few spots, and methinks that that’s all that really mattered to Franco is getting all of this and the kitchen sink up gloriously on the silver screen.
 
Lorna clocks in at an astonishing 99 minutes, and – for the amount of narrative substance it includes – that’s vastly, vastly, vastly too long.  In all seriousness, there’s truly only about a thirty minute episode of any direct-to-cable sex series in here, and yet – in customary Franco fashion – it’s all padded out with long takes, languorous camera tilts and pans, and pretty passing scenery … with so very little of it being functionally necessary to enhance much less move the story.  It’s artistic bloat – not of the good Martin Scorsese variety – and it truly only serves to sink the picture’s already leaden performances, occasionally even making me wonder if some of it wasn’t shot for another film but incorporated here in order to bolster the runtime.
​
Picture
Though I enjoyed Lorna’s central idea – that being a pact with a demon eventually extracting a heavy price on the mere mortals – there’s still too much padding in here (including the surprisingly unpadded ‘padded’ cell story that only loosely connects).  Dialing back the excesses while still dishing out some beautiful bodies doing what beautiful bodies are prone to do in the quiet of the night could’ve made this one into something a bit more special.  But as is?  Ouch.
 
No wonder one lady got crabs.  Literally.  (You’ll understand the pun when you see it.)
 
Lorna … The Exorcist (1974) was produced by Comptoir Francais du Film Production (CFFP).  DVD distribution (for this particular release) is being coordinated by the fine folks at Kino Lorber.  As for the technical specifications?  While I’m no trained video expert, I thought that the provided sights-and-sounds were very, very good: there’s one short sequence that had an obvious imperfection (vertical) line, but nothing in here took away or distracted from the story.  Lastly, if you’re looking for special features?  Kino Lorber has ponied up a good collection, including an audio commentary by novelist/critic Tim Lucas, some related interviews, and both English and French audio tracks.  Well done.
 
Still … only Mildly Recommended.
 
When it comes to some filmmakers, I do find it hard to give them an enthusiastic thumbs up.  Jesus Franco can be a bit of an acquired taste for some, so consider that a fair warning in considering Lorna … The Exorcist (1974).  At its core, there’s a solid, understandable, and relatable idea – one might even say classical, in nature – and the script bobs and weaves around the premise, though ultimately leaving all parties in some dire predicament as a consequence.  While I’ve read that this one has been long considered one of Franco’s best, that also means that those things he did which frustrated viewers are equally on display … so get set for taking ‘the good’ with ‘the bad’ on this endeavor.
 
In the interests of fairness, I’m pleased to disclose that the fine folks at Kino Lorber provided me with a complimentary Blu-ray copy of Lorna … The Exorcist (1974) by request for the expressed purpose of completing this review.  Their contribution to me in no way, shape, or form influenced my opinion of it.

​-- EZ
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    Reviews
    ​Archive
    ​

    Reviews

    Daily
    ​Trivia
    Archives
    ​

    January
    February
    March
    April
    May
    June
    July
    August
    September
    October
    November
    December

    mainpage
    ​ posts

    June 2025
    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    May 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    May 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    June 2018
    May 2018
    March 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014

    RSS Feed

Proudly powered by Weebly