SCIFIHISTORY.NET
  • MAINPAGE
  • About
  • Reviews

Stardate 04.24.2023.A: 2022's 'Sisu' Explores The Third Reich's Worst Nightmare - One Finnish Soldier Who Refuses To Die

4/24/2023

0 Comments

 
Picture
Word: Sisu
 
Meaning: Well … from what I’ve read, “sisu” is a word that doesn’t quite translate outside of its native Finland.

​Essentially, "sisu" is a term that touches on traits like determination and perseverance.  According to Google.com, it doesn’t mean that one is courageous in the moment but brings courage to each and every action.
 
(NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and/or characters.  If you’re the type of reader who prefers a review entirely spoiler-free, then I’d encourage you to skip down to the last few paragraphs for the final assessment.  If, however, you’re accepting of a few modest hints at ‘things to come,’ then read on …)
 
From the film’s IMDB.com page citation:
“When an ex-soldier who discovers gold in the Lapland wilderness tries to take the loot into the city, Nazi soldiers led by a brutal SS officer battle with him.”
 
Having seen the coming attraction for Sisu some time ago and already been smitten with its promised charms, I’ll happily admit that writer/director Jalmari Helander’s script still managed to sneak in a surprise history lesson here and there in what’s otherwise little more than a capable and rousing crowd-pleaser.  In fact, I knew very little of Finland’s past as it pertains to World War II, so including the plight of both our hero and his people’s backstory strengthened the already relatable dynamic that underscores the bulk of the film.  The Nazis?  They were bad dudes.  Exceptionally bad.  Maybe even the baddest in all of civilization.  So it’s only natural that Helander and his cast and crew set about giving them this cinematic comeuppance.
 
The film opens with Aatami Korpi (played wonderfully by Jorma Tommila) well into the ‘broken man’ phase of his existence.  He’s old.  He’s tired.  Though the audience doesn’t yet know the depth of his trials yet, he looks like a fellow worn down by the strife of living a life through some of our planet’s darkest days; so, it’s entirely understandable why he’s chosen isolation over companionship … well, except for the creature comforts of a dog and a horse.  He sits peacefully in the countryside barely noticing those fleeing German planes dotting the skies over his head.  To Korpi, the world outside no longer matters.  It exists only as an inconvenience.  It’s little more than a reminder that he’s still breathing.
 
Because life always finds a way to intrude on those merely existing, Korpi’s harmless panning for gold is suddenly richly rewarded: the discovery of a small nugget points him to a nearby stretch of land that he inevitably cracks open, only to find glistening vein of gold stretching as long as he is tall.  Realizing his days have finally taken a turn for the better, he packs what he can carry in his saddlebags and sets out for the big city.
 
It’s this return to civilization that ultimately brings out the beast in Korpi, and that might very well be the ‘moral to the story’ hidden in the subtext of Sisu: society has a way – intended or not – of bringing out the worst in each of us.  Isolated and alone?  We’re fine.  But when we gather together, things tend to go awry.  Sometimes quickly.  Sometimes catastrophically.  When the road between here and there is paved with Nazi scum (literally here but metaphorically for the rest of us), one does what one must to survive.  World War II has turned against Germany, and – in response – these departing occupiers have been ordered to employ a ‘scorched Earth’ policy across Finland, meaning that they’re Hell bent on killing, corrupting, or contaminating anything they find in their way.  It’s the inevitable meeting of these opposing forces – Korpi and the Reich – that gives Sisu its heart … and sells theater tickets.
​
Picture
Much in the same way that John Rambo confronted his demons and killed anything standing in his way aboard First Blood (1982) and – more so – Rambo: First Blood Part 2 (1985), Aatami Korpi brings his special set of skills to bear again and again.  Giving little thought to his own personal safety, he falls down, he’s shot, he’s stabbed, and he gets back up time against impossible odds because that’s all this former soldier knows.  In fact, the audience eventually learns that this renegade one-man-army maintains a body count rumored to be over three hundred kills.  His commanding officers found him impossible to command, so they just let him loose to do his worst.  As a result of his bloody conquests, the Russians nicknamed him ‘The Immortal’ not so much because they couldn’t kill him but because he refused to die.
 
So, yes, Sisu is logically wonderful in the way Korpi relentlessly takes the fight to antiquity’s quintessential villains, and who can really blame him?  The war took everything from him, so all that’s left to fight for is himself, what remains of his honor, and a few sacks of gold for his troubles.  Director Helander stages these confrontations between right and wrong with increasing delight.  About the time one thinks the carnage can’t grow any bigger, Korpi has taken to using a German minefield against the approaching troops, and the sequences deliver as many chuckles as they do grimaces.  It’s big.  It’s bold.  It’s brash.  And it’s even balderdash in a few spots … but who’s to care?
 
If you ask me, then I’d say these Nazis had it coming.
 
Lastly, I’d be remiss in my duties as influencer of All Things Genre if I failed to mention that Sisu has not gone unnoticed by our cultural betters.  At the 2022 Sitges – Catalonian International Film Festival, the motion picture took home an incredible four statues in the categories of ‘Best Actor’ (for Tommila), ‘Best Cinematography’ (for Kjell Lagerroos), ‘Best Original Music’ (for Juri Seppä and Tuomas Wäinölä), and ‘Best Motion Picture.’  That’s indeed some high praise for a film that revels so joyously in justly dispatching Nazis with some grim determination.
 
Sisu (2022) was produced by Stage 6 Films and Subzero Film Entertainment.  According to the publicity materials I’ve been provided by Lionsgate, the film is presently slated for theatrical opening this upcoming April 28th, 2022.  As for the technical specifications?  Wow.  This glorious and gleeful wartime revenge thriller rather ably dispenses wayward soldiers of the Third Reich in unrelenting fashion, and it’s all captured wonderfully in vivid sights and sounds from start-to-finish.
 
Highly recommended.
 
Sigh.  If only a Nazi would learn to quit while he’s ahead, then maybe – maybe – one or two or three of them might’ve made it out alive of Sisu (2022).  But none did, and all suffered as a consequence.  Alas, history’s dirtiest evildoers couldn’t help themselves, and this bloodthirsty bunch came up against a single man who was more than their collective equal.  Yes, it’s violent.  Yes, it’s occasionally a bit gratuitous.  And, yes, it strains credibility here and there.  But what some might dismiss as a bit of cacophonous revenge porn still turns out to be a fabulous palate cleanser for those tired of too much traditional fare and lean toward the subversive.  In the end, the picture is a cleverly brutal escapist Fantasy that shows uniquely how hardened, self-assured independence will likely always stand against socialist greed.
 
Those who denounce toxic masculinity might want to check with their therapists before buying a ticket.
 
In the interests of fairness, I’m pleased to disclose that the fine folks at Lionsgate provided me with complimentary streaming access to Sisu (2022) by request for the expressed purposes of completing this review.  Their contribution to me in no way, shape, or form influenced my opinion of it.

​-- EZ
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    Reviews
    ​Archive
    ​

    Reviews

    Daily
    ​Trivia
    Archives
    ​

    January
    February
    March
    April
    May
    June
    July
    August
    September
    October
    November
    December

    mainpage
    ​ posts

    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    May 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    May 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    June 2018
    May 2018
    March 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014

    RSS Feed

Proudly powered by Weebly