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Stardate 04.01.2026.A: Happy Anniversary - 1994's 'The Unborn II' Turns An Incredible 32 Years Young Today!

4/1/2026

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cormanology 101

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So many movies ... so much to celebrate!!!

On this day in 1994 (in the U.S.), the good people of Orlando, Florida were treated to the exclusive theatrical premiere event of The Unborn II.  Directed by Rick Jacobson from a story by Rob Kerchner, Daniella Purcell, and Mark Evan Schwartz, the Horror/Fantasy starred Michele Greene, Robin Curtis, Scott Valentine, and others. 

​According to our friends at IMDB.com, here's the plot summary:


"A sinister fertility experiment has created a generation of twisted children. A relentless woman has made it her business to destroy these mutant babies before they destroy the world! One mother and her only friend are torn between love an repulsion of this deformed being and are ready to fight for it's survival, but this baby doesn't need love. It's been programmed to survive at any cost."

-- EZ


From Google.com:

​Directed by Rick Jacobson and produced by Roger Corman’s New Horizons, The Unborn II (1994) is a low-budget sci-fi horror sequel to the 1991 film The Unborn. 

Plot Overview

The story follows the aftermath of a fertility experiment gone wrong, which resulted in several disfigured, highly intelligent, and murderous mutant children. 
​
  • The Protagonist: Catherine Moore (Michele Greene) is a mother who has moved into a new home with her six-month-old son, Joey. Unknown to her at first, Joey is a telepathic, homicidal mutant who manipulates her to protect him.
  • The Antagonist: Linda Holt (Robin Curtis), another survivor of the experiment, has dedicated her life to hunting and killing these mutant infants before they can threaten humanity.

​Key Details
​
  • Release: It was released direct-to-video in April 1994.
  • Cast: Starring Michele Greene (L.A. Law), Scott Valentine (Family Ties), and Robin Curtis (Star Trek III: The Search for Spock).
  • Practical Effects: The film is known for its "Joey" mutant puppet, which was designed by Gabe Bartalos and often described by reviewers as looking like a slimy, blood-covered electronic prop.
  • Critical Reception: Reviews generally characterize it as a "so bad it's good" B-movie, noted for being silly and action-packed, with Muir's Horror Films of the 1990s calling it "dopey at times" but "certainly not boring".
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